This article is about the rock band. For other uses, see The Cult (disambiguation).
The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury’s previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk/gothic rock band, with singles such as “She Sells Sanctuary”, before breaking mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as “Love Removal Machine” and “Fire Woman”. According to music critic Stephen Thomas Erlewine, the band fuse a “heavy metal revivalist” sound with the “pseudo-mysticism … of the Doors [and] the guitar-orchestrations of Led Zeppelin … while adding touches of post-punk goth rock”. Since the initial formation of Southern Death Cult in Bradford in 1981, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are the band’s two songwriters.
After moving to London, the band released their second album Love in 1985, which charted at No. 4 in the UK and included singles such as “She Sells Sanctuary” and “Rain”. On their third album, Electric (1987), the band supplemented their post-punk sound with hard rock; the polish on this new sound was facilitated by producer Rick Rubin. Their fourth album, Sonic Temple (1989), proceeded in a similar vein, and these two albums enabled them to break into the North American market. It was also during this period that The Cult relocated to Los Angeles, California, where the band are currently based.
By the early 1990s, The Cult were fraying behind the scenes due to alcohol abuse, which prompted the band to split up in 1995. The band reunited in 1999 and released the album Beyond Good and Evil two years later. They followed that by reissuing all of their albums in Asia and Eastern Europe in 2003 and Japan in 2004. After their second hiatus, The Cult reformed once again in 2006 to perform a series of worldwide tours, and have since released three more studio albums: Born into This (2007), Choice of Weapon (2012) and Hidden City (2016).
- 1 History
- 1.1 Early history (1981–1984)
- 1.2 Mainstream success (1985–1990)
- 1.3 Ceremony and the lawsuit (1991–1994)
- 1.4 The Cult (1994–1995)
- 1.5 Break-up (1995–1998)
- 1.6 Reunion (1999–2001)
- 1.7 Second hiatus (2002–2004)
- 1.8 Second reunion (2005–2007)
- 1.9 Born Into This (2007–2009)
- 1.10 Capsule EPs (2010)
- 1.11 Choice of Weapon (2011–2013)
- 1.12 Hidden City (2013–2017)
- 1.13 New music (2018–present)
- 2 Members
- 3 Timeline
- 4 Discography
- 5 References
- 6 External links
Early history (1981–1984)
Main article: Southern Death Cult
The band’s origins can be traced to 1981, in Bradford, Yorkshire, where vocalist and songwriter Ian Astbury formed a band called Southern Death Cult. The name was chosen with a double meaning, and was derived from the 14th-century Native American religion, the Southeastern Ceremonial Complex or Southern Death Cult as it was sometimes known, from the Mississippi delta area, but it was also a stab at what the band viewed was the centralisation of power in Southern England (including that of the music industry); there has long been a perceived notion of a North-South divide based on social, historic and economic reasons. Astbury was joined by Buzz Burrows (guitar), Barry Jepson (bass) and Aki Nawaz Qureshi (drums); they performed their first show at the Queen’s Hall in their hometown of Bradford on 29 October 1981. The band were at the forefront of an emerging style of music, in the form of post-punk and gothic rock (then known as positive-punk), they achieved critical acclaim from the press and music fans.
The band signed to independent record label Situation Two, an offshoot of Beggars Banquet Records, and released a three-track, triple A-side single, Moya, during this period. They toured through England headlining some shows and touring with Bauhaus and Theatre of Hate. The band played their final performance in Manchester during February 1983, meaning after only sixteen months the band was over. A compilation named The Southern Death Cult was released, this being a collection of the single, radio sessions with John Peel for Radio One and live performances – one of which an audience member recorded with a tape recorder.
In April 1983, Astbury teamed up with guitarist Billy Duffy and formed the band “Death Cult”. Duffy had been in the Nosebleeds (along with Morrissey), Lonesome No More and then Theatre of Hate. In addition to Astbury and Duffy, the band also included Jamie Stewart (bass) and Raymond Taylor Smith (later known as Ray Mondo) (drums), both from the Harrow, London based post-punk band, Ritual. Death Cult made their live debut in Oslo, Norway on 25 July 1983 and also released the Death Cult EP in the same month, then toured through mainland Europe and Scotland. In September 1983, Mondo was deported to his home country of Sierra Leone and replaced by Nigel Preston, formerly of Theatre of Hate. The single “Gods Zoo” was released in October 1983. Another European tour, with UK dates, followed that autumn. To tone down their name’s gothic connotations and gain broader appeal, the band changed its name to “the Cult” in January 1984 before appearing on the (UK) Channel 4 television show, The Tube.
The Cult’s first studio record, Dreamtime, was recorded at Rockfield Studios, in Monmouth, Wales in 1984. The record was to be produced by Joe Julian, but after recording the drum tracks, the band decided to replace him with John Brand. Brand produced the record, but guitarist Duffy has said the drum tracks were produced by Julian, as Preston had become unreliable.
The band recorded the songs which later became known as “Butterflies”, “(The) Gimmick”, “A Flower in the Desert”, “Horse Nation”, “Spiritwalker”, “Bad Medicine (Waltz)”, “Dreamtime”, “With Love” (later known as “Ship of Fools”, and also “Sea and Sky”), “Bone Bag”, “Too Young”, “83rd Dream”, and one untitled outtake. It is unknown what the outtake was, or whether it was developed into a song at a later date. Songs like “Horse Nation” showed Astbury’s intense interest in Native American issues, with the lyrics to “Horse Nation”, “See them prancing, they come neighing, to a horse nation”, taken almost verbatim from the book Bury My Heart at Wounded Knee, while “Spiritwalker” dealt with shamanism, and the record’s title and title track are overtly influenced by Australian Aboriginal beliefs.
On 4 April 1984, the Cult released the single “Spiritwalker”, which reached No. 1 on the independent charts in the UK, and acted as a teaser for their forthcoming album Dreamtime. This was followed that summer by a second single, “Go West (Crazy Spinning Circles)”, before the release of Dreamtime in September; the album reached No. 21 in the UK, and sold over 100,000 copies in the UK alone. On 12 July 1984, the band recorded five songs at the BBC Maida Vale 5 studio for a Richard Skinner session. Before and after the album’s release, the Cult toured throughout Europe and England before recording another single, “Ressurection Joe” (UK No. 74), released that December. Following a Christmas support slot with Big Country, the Cult toured Europe with support from the Mission (then called the Sisterhood). Dreamtime was released initially only in the UK, but after its success, and as the Cult’s popularity grew worldwide, it was issued in approximately 30 countries.
Mainstream success (1985–1990)
In May 1985, the Cult released their fourth single, “She Sells Sanctuary”, which peaked at No. 15 in the UK and spent 23 weeks in the Top 100. The song was recently voted No. 18 in VH1’s Indie 100[when?]. In June 1985, following his increasingly erratic behaviour, Preston was fired from the band. Big Country’s drummer Mark Brzezicki was picked to replace Preston, and was also included in the video for “She Sells Sanctuary”. The Cult recorded their second album, Love in July and August 1985. The band’s music and image shifted from their punk-oriented roots to 1960s psychedelia influences. Love was a chart success, peaking at No. 4 in the UK and selling 100,000 copies there towards a total of 500,000 copies throughout Europe, as well as 100,000 in Australia and 500,000 copies in the United States. To date, the record has sold over two and a half million copies worldwide.
From mid-1985 to 1986, the band went on a worldwide tour with new drummer Les Warner (who had played with Julian Lennon and Johnny Thunders). Two more singles from the Love album followed; “Rain” (charting in the UK at No. 17) and “Revolution” (charting in the UK at No. 30). Neither charted in the US. Another single, “Nirvana”, was issued only in Poland. The album version of “Rain”, as well as the remix “(Here Comes the) Rain”, were used in the Italian horror film Dèmoni 2. Once back in England, the band booked themselves into the Manor Studios in Oxfordshire, with producer Steve Brown (who had produced Love), and recorded over a dozen new songs. The band were unhappy with the sound of their new album, titled Peace, and they decided to go to New York so producer Rick Rubin could remix the first single, “Love Removal Machine”.
Rubin agreed to work with the band, but only if they rerecorded the song. Rubin eventually talked them into rerecording the entire album. The band’s record company, Beggars Banquet, was displeased with this, as two months and £250,000 had already been spent on the record. However, after hearing the initial New York recording, Beggars Banquet agreed to proceed. The first single, “Love Removal Machine”, was released in February 1987, and the new version of the album appeared in April that same year, now renamed as Electric, reaching No. 4 and eventually outselling Love. The band toured with Kid Chaos (also known as “Haggis” and “The Kid”) on bass, with Stewart on rhythm guitar. Two more singles, “Lil Devil” and “Wild Flower”, were released during 1987. A few tracks from the original Peace album appeared on the single versions of “Love Removal Machine”, and “Lil Devil”. The full Peace album would not be released until 2000, when it was included as Disc 3 of the Rare Cult box set.
In the US, the Cult, now consisting of Astbury, Duffy, Stewart, Warner and Kid Chaos, were supported by the then-unknown Guns N’ Roses. The band also appeared at Roskilde Festival in Denmark in June 1987. When the world tour wound through Australia, the band wrecked £30,000 worth of equipment, and as a result they could not tour Japan, as no company would rent them new equipment. At the end of the tour the Electric album had been certified Gold in the UK, and sold roughly 3 million copies worldwide, but the band were barely speaking to each other by then. Haggis left the band at the end of the Electric tour to form the Four Horsemen for Rubin’s Def American label. Astbury and Duffy fired Warner and their management team Grant/Edwards, and moved to Los Angeles with original bassist Stewart. Warner sued the band several times for his firing, as well as for what he felt were unpaid royalties due to him for his performance on the Electric album, resulting in lengthy court battles. The Cult signed a new management deal and wrote 21 new songs for their next record.
For the next album, Stewart returned to playing bass, and John Webster was brought in to play keyboards. The band used Chris Taylor to play drums during rehearsals and record the demos, with future Kiss drummer Eric Singer performing during the second demo recording sessions. The Cult eventually recruited session-drummer Mickey Curry to fill the drumming role and Aerosmith sound engineer, Bob Rock, to produce. Recorded in Vancouver, British Columbia, Canada from October to December 1988, the Sonic Temple record went Top 10 in both the UK and the US, where it was certified Gold and Platinum respectively. The band went on tour in support of the new album and new single “Fire Woman” (UK No. 15) (NZ No. 1), with yet another new drummer, Matt Sorum, and Webster as keyboard player. The next single, “Edie (Ciao Baby)” (UK No. 25) has become a regular song at concerts for many years.
In Europe, the band toured with Aerosmith, and in the US, after releasing another single “Sun King” (UK No. 42), they spent 1989 touring in support of Metallica before heading out on their own headlining tour later that same year. A fourth single, “Sweet Soul Sister” (UK No. 38), was released in February 1990, with the video having been filmed at Wembley Arena, London, on 25 November 1989. “Sweet Soul Sister” was partially written in Paris and was inspired by the bohemian lifestyle of that city. Released as a single in February 1990, the song was another hit in the UK, and reportedly reached number one on the rock charts in Brazil. After playing a show in Atlanta, Georgia, in February 1990, the band’s management told Astbury that his father had just died of cancer. As a result, the remainder of the tour was cancelled after a final leg of shows were performed in April. After the tour ended, the band were on the verge of splitting due to Stewart retiring and moving to Canada to be with his wife, and Sorum leaving to join Guns N’ Roses.
In 1990, Astbury organized the Gathering of the Tribes festival in Los Angeles and San Francisco with artists such as Soundgarden, Ice-T, Indigo Girls, Queen Latifah, Iggy Pop, the Charlatans, the Cramps and Public Enemy appearing. This two-day festival drew 40,000 people, and inspired Lollapalooza, which started in 1991. Also in 1990, a ten CD box set was released in the UK, containing rare songs from the Cult’s singles. The CDs in this box set were all issued as picture discs with rice paper covers, housed in a white box called “Singles Collection”, or a black box called “E.P. Collection ’84 – ’90”. In 1991, director Oliver Stone offered Astbury the role of Jim Morrison in Stone’s film The Doors. He declined the role because he was not happy with the way Morrison was represented in the film, and the role was ultimately played by Val Kilmer.
Ceremony and the lawsuit (1991–1994)
In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums, respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy’s working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: “Wild Hearted Son” (UK No. 34, Canada No. 41) and “Heart of Soul” (UK No. 50), although “White” was released as a single only in Canada, “Sweet Salvation” was released as a single (as “Dulce Salvación”) in Argentina in 1992, and the title track “Ceremony” was released in Spain.
The Cult’s Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation.
The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child’s image. The parents stated that the boy felt he had been cursed by the band’s burning of his image, and was “emotionally scarred.” This image of the boy is also burned in the video for “Wild Hearted Son”. This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record’s release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993.
A world tour followed with backing from drummer Michael Lee (Page & Plant, Little Angels), bassist Kinley “Barney” Wolfe (Lord Tracy, Black Oak Arkansas), and keyboardist John Sinclair (Ozzy Osbourne, Uriah Heep) returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single “The Witch” (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled “Zap City”, produced by Steve Brown and originally a B-side to “Lil’ Devil”, two volumes of remixes of “She Sells Sanctuary”, called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the “backing band” and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.
The Cult (1994–1995)
With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled ‘Cult’ album is commonly referred to as the ‘Black Sheep’ album by fans of the group. Astbury referred to the record as “very personal and very revealing” songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s.
The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn’t sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single “Coming Down (Drug Tongue)” was released with the band going on tour in support of the new album. Only one more single, “Star”, was officially released with a live appearance on UK TV show The Word. “Star” began life in 1986 as “Tom Petty” and was recorded at the “Sonic Temple” demo sessions as “Starchild”, being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, “Star”.
When the band began the Beauty’s On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: “Sacred Life” was released in Spain and the Netherlands, “Be Free” was issued in Canada and France, “Saints Are Down” was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway.
During the Black Rain tour of South America in spring of 1995, despite the fact that several more new songs had already been recorded, the tour was cancelled after an appearance in Rio de Janeiro in March, and the band split up citing unspecified problems on a recent South American tour. Astbury started up a garage band called Holy Barbarians a few months later. The band made their debut at the 100 Club in London in February 1996 and released their first (and only) record in May 1996, and toured throughout North America and Europe for the rest of 1996. The band started writing material for a second record in 1997, but the band was dissolved and Astbury began writing and recording a solo record. Throughout 1997 and 1998 Astbury recorded his solo record, originally to be titled Natural Born Guerilla, later called High Time Amplifier. Ultimately the record remained unreleased until June 2000 when it was released under the name SpiritLightSpeed. Astbury played one solo concert in 1999.
In November 1996, a number of CD reissues were released: the band’s American record company released High Octane Cult, a slightly updated “greatest hits” compilation released only in the US and Japan; The Southern Death Cult, a remastered edition of the fifteen-song compilation CD; a ten-song compilation CD by Death Cult called Ghost Dance, consisting of the untitled four-song EP, the single “God’s Zoo”, and four unreleased songs from a radio broadcast; and a remastered repackaging of the Dreamtime album, containing only the ten original songs from the record in their original playing order and almost completely different but original artwork. Dreamtime Live at the Lyceum was also remastered and issued on video and for the first time on CD, with the one unreleased song from the concert, “Gimmick”.
Ian Astbury performing live
In 1999, Astbury and Duffy reformed the Cult with Matt Sorum and ex-Porno for Pyros bassist Martyn LeNoble. Their first official concert was at the Tibetan Freedom Concert in June 1999, after having rehearsed at shows in the Los Angeles area. The band’s 1999 Cult Rising reunion tour resulted in a sold out 30 date tour of the US, ending with 8 consecutive sold out nights at the LA House of Blues. In 2000, the band toured South Africa for the first time, and North and South America, and contributed the song “Painted on My Heart” to the soundtrack of the movie Gone In 60 Seconds. The song was featured prominently and the melody was fused into parts of the score. In June, Astbury’s long-delayed solo record was finally released as SpiritLightSpeed, but it failed to gain much success. In November 2000, another authorised greatest hits compilation was released, Pure Cult: The Singles 1984–1995, along with an accompanying DVD, which was later certified gold in Canada. The Cult, as well as Ian Astbury, performed on separate tracks on the Doors tribute album, Stoned Immaculate: The Music of The Doors, covering “Wild Child” and “Touch Me”.
In November 2000, Beggars Banquet released 15000 copies of a six-disc boxset (with a bonus seventh disc of remixes for the first 5000 copies) titled Rare Cult. The box set consists of album out-takes, demos, radio broadcasts, and album B-sides. It is most notable for including the previously unreleased “Peace” album in its entirety. In 2001, the band signed to Atlantic Records and recorded a new album, Beyond Good and Evil, originally being produced by Mick Jones of Foreigner, until Jones bowed out to tour with Foreigner. Astbury and Duffy co-wrote a song with Jones, an odd occurrence, as in the past, neither Astbury or Duffy would co-write their material. Bob Rock was the producer, with Martyn LeNoble and Chris Wyse as recording bassists, as Mike Dimkich played rhythm guitar on tour, and Matt Sorum returning as drummer. Although Sorum has previously toured with the band on the Sonic Temple tour in 1989, this was the first time that he had recorded a studio album with the band.
However Beyond Good and Evil was not the comeback record the band had hoped for. Despite reaching No. 37 in the US, No. 22 in Canada, and No. 25 in Spain, sales quickly dropped, only selling roughly 500,000 copies worldwide. The first single “Rise”, reached No. 41 in the US, and No. 2 on the mainstream rock charts, but Atlantic Records quickly pulled the song from radio playlists. Astbury would later describe the experience with Atlantic to be “soul destroying”, after Atlantic tried to tamper with the lyrics, the record cover, and choice of singles from the record.
After the first single from the record, the band’s working relationship with Atlantic was on paper only, with Atlantic pulling “Rise” from the radio stations playlists, and stopping all promotion of the record. The second single “Breathe” was only released as a radio station promo, and the final single “True Believers” was only on a compilation sampler disc released in January 2002 (after the Cult’s tour had already ended). Despite “True Believers” receiving radio airplay in Australia, both singles went largely unnoticed, and both Astbury and Duffy walked away from the project. LeNoble rejoined the band for the initial dates in early 2001, and Billy Morrison filled in on bass for the majority of the 2001 tour.
The European tour of 2001 was canceled, largely due to security concerns after the 9/11 terrorist attacks, and the band flew back to the US to tour again with Aerosmith. But the eleven-week tour was considered by fans to be a disaster, as the band played only a brief rundown of their greatest hits. In October 2001, a show at the Grand Olympic Auditorium in Los Angeles was filmed for release on DVD. After the tour ended in December 2001, the band took most of 2002 off, apart from a few shows in the US to promote the release of the DVD, with Scott Garrett and Craig Adams rejoining the band.
Despite the commercial disappointment of Beyond Good and Evil and the supporting tour, the band was voted “Comeback of the Year” by Metal Edge readers in the magazine’s 2001 Readers’ Choice Awards.
Second hiatus (2002–2004)
In late 2002, Ian Astbury declared the Cult to be “on ice” indefinitely, after performing a brief series of dates in October 2002 to promote the release of the Music Without Fear DVD. During this second hiatus, Astbury performed as a member of the Doors (later dubbed the Doors of the 21st Century, later still renamed D21c, and most recently known as Riders on the Storm) with two of the original members of that group. D21c was sued numerous times, both by Jim Morrison’s family and by drummer John Densmore. Astbury supposedly started work on recording another solo album that later became the backbone for the Cult’s Born into This.
At the same time, Duffy was part of Coloursound with bassist Craig Adams and ex-Alarm frontman Mike Peters, then Dead Men Walking (again with Peters) and later Cardboard Vampyres. Sorum became a member of the hard rock supergroup Velvet Revolver. In 2003, all of the Cult’s records were issued on CD, with several bonus tracks being issued on the Russian, Belarusian, and Lithuanian versions. These eastern European releases had many printing mistakes on the jacket sleeves and lyric inserts. In October 2004, all of the Cult’s records were again remastered and issued again on CD, this time in Japan in different cardboard foldout sleeves. “She Sells Sanctuary” appeared in the 2002 video game Grand Theft Auto: Vice City, playing on rock station V-Rock.
Second reunion (2005–2007)
The Cult playing at Drave Rock Fest in 2007.
In 2005, the band reunited to prepare for the Return To Wild world tour in 2006, making their first live appearance in three-and-a-half years on The Late Late Show with Craig Ferguson. Their lineup consisted of Astbury (vocals), Duffy (lead guitar), John Tempesta (drums), Dimkich (rhythm guitar) and Wyse (returning as bassist). Their first stage show was held in March 2006 in San Francisco, California, at The Fillmore. The entire tour was recorded by Instant Live and sold after each show. In May, they did an eight date tour in Canada. Later that summer, they toured central and eastern Europe and played their first concerts in Bulgaria, Poland and Serbia. An eleven-date UK tour followed as well as several more dates in the United States, finishing with a South American tour in December. That year, Duffy began the band Circus Diablo with Billy Morrison, Sorum, Brett Scallions and Ricky Warwick (The Cult – Hollywood 2006, pictures by Sherry Lee).
During these tours, the band occasionally played an extended set, including several songs the band had not performed in decades: “King Contrary Man” and “Hollow Man”, neither of which had been performed since 1987; also, “Libertine” was performed approximately three times, for the first time since 2000, and “Brother Wolf, Sister Moon”, which was only performed one time since 1986 (for this particular song, the band played an abridged version which has never been performed before or since)
Astbury announced in February 2007 that he was leaving Riders on the Storm and returning to the Cult. He stated: “I have decided to move on and focus on my own music and legacy.” The Cult was featured on Stuffmagazine.com’s list of ultimate air guitar players. On 21 March 2007, it was announced that the band would be touring Europe with the Who. The first confirmed tour date was in Rotterdam, the Netherlands, in early June, with at least a dozen shows set to follow. The band played a gig in London’s West End at the CC Club on 7 June 2007, along with nearly two dozen shows across continental Europe during summer. The tour also includes the first performance in Romania and Croatia.
Born Into This (2007–2009)
The Cult performing in 2009.
On 29 May 2007, the band signed a deal with major metal label Roadrunner Records. Their 8th studio album, titled Born into This was released on 16 October, and was produced by Martin “Youth” Glover, bass player for Killing Joke. Born into This was released as regular single disc and limited edition double disc, the second disk being a bonus 5-track CD holding the following tracks: “Stand Alone”, “War Pony Destroyer”, “I Assassin (Demo)”, “Sound of Destruction (Demo)” and “Savages (Extended Version)”. Prior to the album’s release, the band played festival and headline dates, and supported the Who in Europe through summer 2007, with a US headline tour to follow.
The band’s appearance at Irving Plaza in New York City in early November 2006 was filmed and was released in 2007. The Cult New York City, issued by Fontana North and is the Cult’s first high definition DVD release. Meanwhile, Astbury lent vocals on two tracks of the 2007 Unkle album “War Stories”, one of them being the first single from the album, “Burn My Shadow”.
The band performed a UK and European tour in late-February and early-March 2008. On 24 March, they began their North American tour including a major 13-city tour in Canada. During September 2008, the Cult did a brief series of dates in the northeast United States, and they toured in Brazil as part of the South American tour in October 2008. As of May 2008, according to The Gauntlet, the Cult are currently unsigned and no longer under contract with Roadrunner Records. In October 2008, it was announced that the Cult would headline the inaugural Rock ‘n’ Roll Marathon in San Antonio, to be run 16 November 2008. The Cult announced plans for a tour showcasing their 1985 Love album across the USA and then the UK in October where they will play at the Royal Albert Hall.
Coinciding with the remastered Love album and 4 disc Omnibus boxed set, the Cult kicked off the long-awaited Love Live Tour in late summer. Performing their classic Love album in its entirety, each show was played with the Love tracks opening with “Nirvana” to “Black Angel”. A quick intermission followed, then other Cult hits were played (varying by venue): “Sun King”, “Dirty Little Rock Star”, “Electric Ocean”, “Illuminated”. Then followed the favorites “Fire Woman”, “Lil Devil”, “Wild Flower”, and lastly “Love Removal Machine”. In the evening of 10 October 2009 at the Royal Albert Hall in London, the band performed a second encore with original Cult bassist Jamie Stewart and drummer Mark Brzezicki, who played drums with the band during the Love album recording sessions in July and August 1985. The band sold Love Live USB flash drives for each show during the tour.
Capsule EPs (2010)
The Cult entered 2010 continuing their Love Live Tour and announcing more dates in the United States, New Zealand, Australia, and Japan. The band finished recording a four-track “Capsule” with producer Chris Goss. Capsule 1 was said to be the first of three or four to be released sometime in summer 2010. Release formats include CD-DVD dualdisc, 12-inch vinyl, and digital downloads. Capsule 1 was released on 14 September 2010. The band officially announced the release of its first new studio recording since 2007, “Every Man And Woman Is A Star”. The new single was released through the iTunes Store on 31 July 2010.
On 1 August 2010, the band played the sold-out music festival Sonisphere, which marked their first UK performance since the tour for their Love album. During the performance they debuted their new single, “Every Man and Woman is a Star”, which was released on 1 August 2010. On 14 September 2010 the band embarked on a new U.S. tour and released Capsule 1 in conjunction with media technology company Aderra Inc. and made it available in multiple formats including a CD-DVD DualDisc, USB flash drive, 12 inch vinyl, FLAC download and MP3 download. The collection includes a short film made by singer Ian Astbury and Rick Rogers.
On 26 October 2010 the band and Aderra Inc. announced the release of a new song, “Embers”, for 1 November 2010 and Capsule 2 available through their web store on 16 November 2010. Pictures from the Cult’s tour stop in Chicago on 28 October 2010 can be seen at a local radio station website.
On 17 September 2010, the band performed live at the Fall Frenzy concert at the Tempe Beach Park in Tempe, Arizona. Other bands that played at this concert were Stone Temple Pilots, Shinedown, and Sevendust.
On 4 December 2010, the band performed a live set for Guitar Center Sessions on DirecTV. The episode included an interview with the band by program host, Nic Harcourt.
Choice of Weapon (2011–2013)
The Cult performing in May 2012
During the Cult’s concert at the Hammersmith Apollo in London on 21 January 2011 Ian Astbury declared that the Cult would be recording a new album directly after the tour. They also announced that they would be working with Chris Goss, who performed with Masters of Reality as a supporting act the same evening. On 11 May 2011, it was announced that the Cult were signed to Cooking Vinyl Records, who will release the new album in early 2012. Commented guitarist Billy Duffy: “We are very much looking forward to returning to our U.K. roots in many ways working with Cooking Vinyl.” Vocalist Ian Astbury added, “We look forward to a long and fruitful relationship with Cooking Vinyl.” By May 2011, the band had been writing and recording new demos at its Witch Mountain studio hideaway in the Hollywood Hills, and began recording their new album at Hollywood Recording Studios. In October 2011, bassist Chris Wyse stated the album was almost finished and expected to be released in April 2012. Chris also described it as a “Zep/Stooges mix of energy.”
On 29 November 2011, it was announced that the album would be produced by Bob Rock, who provided the same role on Sonic Temple, The Cult and Beyond Good and Evil. The album, entitled Choice of Weapon, was released on 22 May 2012. The band partnered with Rolling Stone to premiere the first song from the album titled Lucifer on 30 January. On 5 February 2012, the Cult song “She Sells Sanctuary” was used as the soundtrack for a Budweiser commercial in a mashup with Flo Rida aired during Super Bowl XLVI. In May 2012 the Cult appeared on Jimmy Kimmel Live! and played “For The Animals”.
On 28 September 2012, it was announced that the band would release Weapon of Choice, a “prequel” album to accompany the band’s latest album, Choice of Weapon. The digital-only release, available exclusively on iTunes for two months only beginning 16 October, features the songs that were ultimately included in “Choice Of Weapon” at an earlier stage of development. Explaining the motivations behind the release, singer Ian Astbury said that “These songs were turned over and over, forged in long rehearsals and writing sessions, and emanated from challenges both personal and professional. We put our guts into this; [Producer Chris] Goss was able to create an environment where the songs were born through playing and turning over lyrics, through hard work and intense sessions.” Astbury added “These songs have an integrity and rawness of their own. In many ways it’s a different album to the one we released and reveals the foundations of ‘Choice Of Weapon’. We were able to close the doors and begin to explore spaces we had not been in for a while.” The song “Twisted and Bleeding” was made available for free download at the band’s website ahead of the full digital release.
On 20 June 2013, the band announced the release of Electric-Peace which comprises the entire Electric album plus the Peace album which was previously released on the now discontinued Rare Cult box set in 2000. It is due for release in the US on 30 July. In 2013 Mike Dimkich left the band and joined Bad Religion to cover for guitarist Greg Hetson. James Stevenson, from the Beauty’s On The Streets tour in 1994, replaced Dimkich as the Cult’s rhythm guitarist.
Hidden City (2013–2017)
In March 2013, Billy Duffy told Argentina’s journalist Fabrizio Pedrotti that the Cult had begun work on a new album for a 2014 release. The band were expected to begin work on the album after they finish their 2013 world tour, where they played the Electric album in its entirety. In August 2014, Billy added that the next album, which was not expected to be released before 2015 at the earliest, “will be more guitar heavy”.
On 5 November 2015, it was announced that The Cult would release their new album, entitled Hidden City, on 5 February 2016. The album is said to be the final part of a trilogy that began with Born into This, and marks the fifth time Bob Rock had produced a Cult album. The band also announced that they had hired bassist Grant Fitzpatrick as the replacement for Chris Wyse. Chris Chaney (Jane’s Addiction, Camp Freddy) and producer Bob Rock performed session bass on the album. In support of Hidden City, The Cult opened for Guns N’ Roses on the Not in This Lifetime… Tour.
In an October 2016 interview with PopMatters journalist J.C. Maçek III, Cult guitarist Billy Duffy spoke of the band’s playlist while on tour, saying “Obviously you want to make an impactful [show],” he continues. “There are some practical, pragmatic decisions made. If you’re playing to a crowd who are not very familiar with you, there’s no point of going too deep but we do always make sure we play a new song. Like on Guns N’ Roses' [tour] we had fifty minutes which is ten songs all in. So, you know we just made sure that in those ten songs we played ‘Deeply Ordered Chaos’ which we’re proud of and it makes a certain statement. And it just alerts people to the fact that, yes, we have made a record in the last 30 years. You know and that’s a good thing. Psychologically, that’s the blood transfusion that we need. And we’re very mindful, we have a very loyal fan base. We don’t pander as you well know.”
New music (2018–present)
In an April 2018 interview with Guitar World, guitarist Billy Duffy was asked if another album from The Cult is in the works. He replied, “Never say never! Ian and I enjoy the process of making new music, and we feel it’s vital to keep the band healthy, even if it’s pretty much in the law of diminishing returns area now. Who knows if it will be a whole album a series of singles or an EP? I can say new Cult music will be forthcoming, but these days we don’t rush it as there’s no point. Quality is key. We are past the point of having to release stuff so if we feel it’s good enough, then we will release it in some shape or another.”
On April 2, 2018, a tour of the United States of America called “Revolution 3 Tour” was announced for the summer. They performed as one of the three headliners, along with Stone Temple Pilots and Bush.
In April 2019, The Cult announced that they would celebrate the 30th anniversary of the release of their fourth album Sonic Temple with a world tour, which began on May 2 in Houston, Texas and is expected to wrap up around 2020.
In a June 2019 interview with LA Weekly, vocalist Ian Astbury stated that The Cult were “long overdue” to release new music. He was quoted as saying: “We do have some stuff we’ve been working on, but it’s yet to see the light of day.”
- Ian Astbury – vocals, guitar, percussion (1983–1995, 1999–2002, 2006–present)
- Billy Duffy – lead guitar (1983–1995, 1999–2002, 2006–present)
- John Tempesta – drums, percussion (2006–present)
- Damon Fox – keyboards, vocals (2015–present)
- Grant Fitzpatrick – bass guitar, vocals (2015–present)
- Ray Mondo – drums (1983)
- Nigel Preston – drums (1983–1985; died 1992)
- Mark Brzezicki – drums (1985)
- Les Warner – drums (1985–1988)
- Kid Chaos aka Stephen Harris – touring bass (1987)
- Eric Singer – drums (1988)
- Mickey Curry – drums (1989, 1991)
- Matt Sorum – drums, backing vocals (1989–1990, 1999–2002)
- James Kottak – drums (1990–1991)
- Michael Lee – drums (1991–1992; died 2008)
- Scott Garrett – drums (1992–1995, 2002)
- Jamie Stewart – bass, rhythm guitar, keyboards, backing vocals (1983–1990)
- Todd Hoffman – bass (1990–1991)
- Charley Drayton – bass (1991)
- Kinley Wolfe – bass, backing vocals (1991–1993)
- Craig Adams – bass (1993–1995, 2002)
- Martyn LeNoble – bass (1999, 2001)
- Billy Morrison – bass, backing vocals (2001–2002)
- Chris Wyse – bass, backing vocals (2000, 2006–2015)
- Jimmy Ashhurst – bass, backing vocals (2015)
- Mike Dimkich – rhythm guitar (1993, 1999–2013)
- James Stevenson – rhythm guitar, backing vocals (1994–1995, 2013–2015)
Main article: The Cult discography
- Dreamtime (1984)
- Love (1985)
- Electric (1987)
- Sonic Temple (1989)
- Ceremony (1991)
- The Cult (1994)
- Beyond Good and Evil (2001)
- Born into This (2007)
- Choice of Weapon (2012)
- Hidden City (2016)
Isaak, Sharon (19 June 1992). “Wrong Rite?”. Entertainment Weekly. Retrieved 31 March 2008.
- Official website
- Billy Duffy official website